This appeared on Sunday, Feb. 25, 2007
I cannot remember how cold it was, or if there was snow on the ground.
But I do remember the intense scene of a group of men and women standing in a half circle around a gravestone at the Chestnut Grove Annex Cemetery.
The date was Feb. 22, 1988 – 19 years ago last Thursday – and the occasion was a remembrance ceremony for Horace Pippin, the respected and acclaimed artist who was born in West Chester 100 years ago to that date, and who made his home here after the seeing the end of World War I, returning back to the nation that enslaved his grandparents and treated those of his race with distain.
I was not attending as participant in the ceremony, anymore than I would have for any event that I covered for the Daily Local News in my quarter century here. I was there as an observer, with pen and reporter’s notebook in hand. But the moment has stayed with me for all this time.
The event had been organized by the Chester County Historical Society and some of Pippin’s peers as a way to atone for the neglect that had been shown him during this life, and at the time of his death from a heart attack in 1946. A man named John Halstead, president of the historical society at the time, noted how a contemporary of Pippin’s had noticed the lack of representation by the West Chester community at his funeral. Halstead spoke of a redressing of that grievance.
Here’s part of what I wrote:
“To the Rev. Earl D. Trent Jr. of West Chester, the event served as “a tax, a debt of respect and honor to Horace Pippin.
“ ‘The fact that it came on the centennial of his birth is merely coincidence,’ said Trent, pastor of St. Paul’s Baptist Church, where Pippin worshipped and taught choir. ‘The age does not matter. It is due him.’ ”
Pippin was a self-taught artist whose work showed the lives of black men and women in their daily lives in the flat, linear style that became known as primitive. He also painted scenes from the Bible and American history that cast a forceful light on the racial injustice that his country allowed at the time. His paintings toured the country as part of a Museum of Modern Art traveling show. He sold dozens of paintings to collectors and museums across the country.
And he was a good man, working within the black community of West Chester to better young lives.
But the larger community in his home town apparently did not pay him the respect he earned elsewhere. Two days after he died at his home on West Gay Street, the Daily Local News seemed more interested in noting that Charles Lukens Huston, “Steel Pioneer,” had his 90th birthday.
I went looking for his gravesite on Thursday but the frozen snow kept me from finding it, even though in my mind’s eye I could see it clearly. And I remembered, too, what one of Pippin’s contemporaries, Warren H. Burton, told me.
“In his quiet and gentle manner, he was an integral part of this community,” concluded Burton.
Chestnut Grove Annex Cemetery is just north of West Chester on Route 100. Maybe when the snow clears, we might stop by and put down another payment on our debt to him.
Monday, February 26, 2007
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